Music, running, and beer: a seemingly unlikely combination. However, The Brew Hop, a brand new event coming to NYC next weekend, has managed to seamlessly fuse the three elements into one stacked day. Beginning with a 5K race and concluding with music provided by the High and Mighty Brass Band and Argonaut&Wasp, along with craft beer from more than a dozen local breweries included in the ticket price, this is sure to be a unique and exciting event. The Brew Hop will take place on Sunday, September 18th at Randall’s Island. Tickets are available here.The day kicks off strong with a 5K race, which attendees are welcome to either run or walk. Following the race, patrons will be rewarded for their hard work with unlimited beer, along with a medal, a souvenir pint glass, a beer koozie, and access to the festival for the rest of the day.Brass favorites the High and Mighty Brass Band will provide high-energy, New Orleans-style funk, while Brooklyn-based Argonaut&Wasp will kick the party into gear with a DJ set.The event’s featured breweries include Brooklyn Brewery, Sixpoint Brewery, SingleCut Beersmiths, Third Rail Beer, Bronx Brewery, Gun Hill Brewing Company, Rockaway Brewing, KelSo Beer Company, Alphabet City Brewing, Blue Point Brewing Company, Great South Bay Brewery, Captain Lawrence Brewing Company and more TBA. The festival will also feature food provided by Bareburger, Ponti Rossi, and Blossom Ice Cream, as well as live music, lawn games, a photobooth, art installations, lounge areas, and more.A portion of proceeds will go towards benefitting City Harvest, a great organization that helps feed more than one million New Yorkers facing hunger each year. There will also be a food drive on-site for attendees who wish to bring nonperishable food items to donate.Get tickets to the inaugural Brew Hop on Sunday, 9/18 here, or enter to win them below.
SAN FRANCISCO — If there’s a major concern going into the season for the Warriors, it’s the defense.After having one of the most versatile defenses in the league the last few years, offseason losses have weakened a roster once deep with length and experience. The Warriors posted the second worst defensive rating among NBA teams in the preseason, and it’s worth pointing out that no team with a bottom-10 defense made the playoffs last season.To remedy that, the Warriors will need better …
2. Working With Dirty Lenses or SensorsThis shouldn’t be on the list. It should be common practice. Nonetheless, it still pops up a little too often. Camera lenses are made of glass. Glass gets dirty. You have to regularly clean glass to remove dirt and blemishes unless you want your shots to look dirty. Here are some resources on how get your glass to a spotless state.A Guide to Cleaning Lenses and Camera Sensors7 Pro Lens Cleaning Tools Under $7How to (Not) Clean Your Camera3. Shooting Out of Focus ShotsOnce mastered, focus can be a great tool in your cinematic toolbox for directing the audience’s attention and telling your story. However, when you’re first starting out, if you can’t control it, focus (or more specifically, a lack of focus) can absolutely ruin your shots. Watch the video above on how to set focus and check out some of the following articles for a little more in-depth information.3 Hacks for Shooting Without a Focus Puller The Best Follow Focus Options for Under $200What Are Focus Charts and Why Do You Need One?4. White Balance Being OffIf you don’t understand white balance, you should definitely learn. If you don’t understand how to learn, you should definitely at least use auto-white balance.There’s no excuse for shooting daylight footage white balanced for tungsten or vice versa. Here are some tips and tricks for working with white balance in post.Quick Tip: How to White Balance in Premiere ProWhite Balance Footage in Final Cut Pro XDaVinci Resolve Tip: Use Color Keys to Fix White Balance5. (Unintentionally) Breaking the 180-Degree RuleLet’s be honest. The 180-degree rule is more of a suggestion than a rule. Of course, not having an understanding of what it is and why it works is the first step to creating confusing scenes and compositions which serve no direct purpose. If you can acknowledge your mastery of the rule first, you’re well within your rights to break it — as long as it’s done intentionally.Film Studies: 180-Degree RuleQuick Tips: Understanding The 180 Degree RuleFilmmaking Tutorial: 180 Degree Rule and Other Shot Sequence Tips6. Under or Over Lighting Shots With Poor Set-UpsWhen working in professional videography, lighting is usually the part of production which separates the amateurs from the seasoned pros. Taking the time to understand and properly set up lighting for a scene can be a huge part of telling a story and adding depth to a shot. Here are some helpful resources to consider.5 Practical Cinematic Lighting TutorialsLighting 101: A Quick Guide for Lighting Film7 Steps for Lighting a Scene7. Overusing or Improperly Using Warp StabilizerWarp Stabilizer is an effect in Adobe’s Premiere Pro (as well as After Effects). In itself, it is a powerful tool which can be used to stabilize shaky footage here or there — though it’s not always perfect and can’t work miracles on hopelessly unstable footage. It’s all too common to see it applied improperly and create waves in footage which can ruin a project. Here are some tips for how to properly use or avoid using it.A Comprehensive Guide to Making the Most of Adobe’s Warp StabilizerRemove Warp From Warp Stabilizer Using After Effects4 Tips for Warp Stabilizer in Premiere Pro8. Not Taking the Time to Balance and Smooth Out AudioAudio is simply too important to be last on the editing to-do list and first on the chopping block. Bad, inconsistent audio can ruin a video from the get-go, so it’s important to treat it, well, like it’s important. Here are some tips and tricks for balancing and smoothing out audio transitions.How to Crossfade Audio Tracks in Premiere Pro and FCPXHow to Set Audio Levels for VideoAudio Tips and Tricks: Removing Echo and Reverb9. Incorrectly Formatting and/or ExportingWhether you’re exporting for YouTube or television, you need to be intentional with your export and formatting settings. Many editing programs include helpful presets that are often ignored if you don’t know where to look. Here are some helpful resources.Everything You Need to Know About Exporting VideoHow to Properly Export Video for YouTubeQuick Tip: Exporting Multiple Timelines in Adobe Premiere Pro Essential Gear for Product VideosHow to Extend Your DSLR batteryBackpacking Gear: Solar Charging for DSLR Camera Batteries What were some of you earliest filmmaking mistakes and video goofs? Share your war stories in the comments below! The early paths of most filmmakers and videographers are littered with easy-to-avoid gaffes. Here are nine of the most common filmmaking mistakes and some easy ways to avoid them.Top image via PremiumBeat (How many mistakes do you see?)Filmmaking, at its heart, is a form of expression. It encourages freedom, experimentation, and innovation. There are an endless number of ways to set a shot, edit a scene, and tell a story. That being said, when you’re just starting out, there are several concepts, ideas, tips, and tricks which can help you make more thoughtful decisions in your filmmaking process.Let’s look at nine filmmaking mistakes which you may want to explore to better understand the art and your voice as a filmmaker.1. Forgetting Equipment or Arriving with Uncharged BatteriesImage via ShutterstockAgain, things like this should be common knowledge (regardless of your profession), but it still persists. Working as a professional videographer means taking the time to organize and properly prepare your gear and equipment well before you walk out of the door. Keeping your gear organized with a systematic workflow for charging batteries, dumping/wiping cards, and keeping everything cataloged is paramount for any serious video professional.
Looking for more filmmaking tips and tricks? Check out these articles.Video Tutorial: Determining The Best Lens for Your ProjectThe Best Quotes from Directors, Editors, and Everything in BetweenIndustry Insights: The Ins and Outs of Working as a Script SupervisorTutorial: Removing Audio Pops and Recording Audio Differently11 YouTube Channels Every Filmmaker Should Follow in 2019 A good documentary must tell a powerful story. Here are four tips to keep you on track, especially when the going gets tough.A few months ago, my short documentary “Blinders” took home the Canada of Excellence award at 2018’s BufferFestival in Toronto, Ontario.The focus of my film was to shine a light on a voiceless community — the homeless.In less than 72 hours, my family and I organized a gourmet dinner for 12 strangers living on the streets. We provided dinner in exchange for the guests’ stories. My family’s goal was to eliminate ignorance and open lines of communications with those who live on the streets.When crafting the film, I used a four-step formula to create a dynamic story on set and in post-production. This formula is now one I use on nearly every documentary, vlog, or narrative piece I create.1. Easy Is BoringIf it’s easy or comfortable, you’re probably not capturing anything compelling. When you’re working on a documentary project, the greatest moments come from difficulty. If someone is struggling, chances are there’s a message in their experience. Remember, the best stories come with lessons, and the most effective lessons stem from someone or something overcoming an obstacle. In our documentary “Blinders,” the best moments on camera were by far the hardest ones to capture. There’s a scene when I almost give up on the entire event because no one shows up. I was defeated and depressed, and I wanted to turn the whole project around; this is my favorite part of the film. In a matter of moments, I was able to solve a few problems and turn the event around.Capturing difficult moments like this can not only provide an on-screen lesson but also a narrative victory. Your audience gains no emotional connection from events with only surface-level expression. If you can capture their emotions with a real struggle and pair it with a victory or a lesson, you have a much more effective film.Your story lives in the uncomfortable, so find it. If you’re in an easy location, go to the most challenging area. Think of it as summiting a mountain and documenting the assent. The destination isn’t as interesting as the struggle to get there. If you document the struggle, the victory will seem much more rewarding for the audience.(Quick tip: If someone is struggling, give them space. Don’t film people just for the sake of getting the shot. Be sure to get their permission before rolling. The last thing you want is someone to be upset or disingenuous because there’s a camera in their face.)2. The Beginning and the EndingInstead of relying on your editor to assemble a story from piles of footage, think ahead. As you’re capturing the scene, begin to daisy-chain a narrative together. Think about establishing shots, wides, introductions, etc. I always think of the beginning and the ending because no matter what, the middle is inevitable — it will simply fill itself in. When entering a situation, moment, or location ask yourself “How does this scene start, and how does it end?” Implement a dash conflict on-top of that, and now you’re cooking!3. Interviews Will Save the DayDialogue in documentaries is a lifesaver when it comes to constructing a story. While editing my films, I love to have a supply of interviews, even if I don’t use them. This is because it helps establish what the story is actually about without getting lost in B-roll or cinematic sequences.When I was working on “Blinders,” I used interviews and vlog-style monologues to keep the story on track. You don’t always need dialogue, but it’s something that can absolutely save your story. Show don’t tell — unless showing doesn’t do the story justice.4. Emotion Before Motion Repeat this in your head. Make it a mantra. Tattoo it on your face. Emotion before motion is the secret to getting a better story. As a shooter, it’s very easy to get caught up in cinematic sequences and long camera setups to capture the most beautiful shot. This does nothing to the story if there’s no emotion behind what you’re capturing. Think of what sequence of shots captures the greatest feeling on screen and follow that.
Don’t miss out on the latest news and information. Jaja Santiago topscored with 10 points but was mostly stymied by Vietin’s solid net defense. Aby Marano and Rachel Daquis added seven each, while Jovelyn Gonzaga chipped in five.But they were never in control — aside from the brief juncture where they held a 10-5 lead in the second — as the Filipino couldn’t shield against the torrid attacks of Pham Thi Jim Hue and Doan Thi Xuan who led Vietnam with 16 and 12 points.Vietnam is silver medalist in the SEA Games and the two games against them are seen as most vital gauge in preparing for the PH squad. Vietin also bested Rebisco in the groups stage (25-21, 17-25, 25-20, 25-14).Kim Fajardo had 44 excellent sets and three points, the same output of Maika Ortiz. Mika Reyes and Bia General scored one each. Also comprising the team are Gen Casugod, Aiza Pontillas, Rhea Dimaculangan, Lourdes Clemente and Denden Lazaro.ADVERTISEMENT Every 18 seconds someone is diagnosed with HIV BREAKING: Cop killed, 11 hurt in Misamis Oriental grenade blast MOST READ Pagasa: Storm intensifies as it nears PAR LATEST STORIES Cayetano dares Lacson, Drilon to take lie-detector test: Wala akong kinita sa SEA Games Palace: Duterte to hear out security execs on alleged China control of NGCP View comments BSP survey: PH banks see bright horizon amid dark global recession clouds Robredo: True leaders perform well despite having ‘uninspiring’ boss PLAY LIST 02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games01:44Philippines marks anniversary of massacre with calls for justice01:19Fire erupts in Barangay Tatalon in Quezon City01:07Trump talks impeachment while meeting NCAA athletes02:49World-class track facilities installed at NCC for SEA Games Rebisco PSL Manila Spikers. CONTRIBUTED PHOTOUST-KAMENOGORSK, Kazakhstan — Rebisco PSL-Manila came up with a lethargic performance against a vibrant Vietin Bank of Vietnam to yield a 25-13, 25-18, 25-15 loss Wednesday in the Asian Women’s Club Volleyball Championships here.The Philippine club wound up eighth and last in the tough field having lost all its six games in a telling development for a squad that would make up the national team.ADVERTISEMENT BREAKING: Cop killed, 11 hurt in Misamis Oriental grenade blast Sports Related Videospowered by AdSparcRead Next Lacson: SEA Games fund put in foundation like ‘Napoles case’ Warriors wary of LeBron as Cavs arrive for NBA Finals A heavy evaluation is expected to happen when the team goes back to Manila as the 13 of the 14 players here are included in the 18-player national pool being groomed for the Asian Seniors and Southeast Asian Games in August.Rebisco PSL Manila, backed by Asics, Grand Sport and Turkish Airlines, managed to come up with a respectable performances against eventual finalists Supreme of Thailand and Hisamitsu Springs.FEATURED STORIESSPORTSSEA Games: Biñan football stadium stands out in preparedness, completionSPORTSMalditas save PH from shutoutSPORTSPrivate companies step in to help SEA Games hostingBut against a youthful Vietnam club, the Filipino players were simply shellshocked and appeared disjointed despite having some of the finest club players in the country.“It’s a defeat. We take it. We go back to the drawing board and study where we go wrong,” said head coach Francis Vicente who are assisted by Brian Esquibel, Ronald Dulay and Manny Calipes.
Portimonense president Sampaio waiting on offers for Man Utd, Southampton target Nakajimaby Paul Vegas10 months agoSend to a friendShare the lovePortimonense president Rodiney Sampaio insists they’re still waiting on offers for Shoya Nakajima.The Japan international has been watched by Manchester United and Southampton, while he also attracted an enquiry from Leicester City.However, speaking with O Jogo, Sampaio says “no concrete offers” have arrived for the midfielder.Nakajima has returned to Portugal after being injured while with Japan at the Asian Cup.Sampaio added: “It is annoying for the player and the club, but Nakajima is calm and now there is little to do but to recover.”Very quickly, he will be back on the pitch and in our team.” TagsTransfersAbout the authorPaul VegasShare the loveHave your say
Chelsea boss Lampard delighted with Kante goalscoring performanceby Paul Vegasa month agoSend to a friendShare the loveChelsea manager Frank Lampard was not surprised with N’Golo Kante’s performance against Liverpool on Sunday.The France international has been stricken with injuries so far this season, but bounced back to score a wonderful goal in the 2-1 loss to the Reds at Stamford Bridge.Speaking after the game, Lampard said: “We end up being not surprised with Kante, which is not fair on him really.”He did it in the Super Cup without training, he did it today with probably not match-fit training, but he’s so important for us you put him in the team and he showed his qualities.Lampard also had special praise for young defende Fiyako Tomori.”I have to single out Tomori. For a young player like him to go up against Mo Salah, who is lethal, and deal with him for pace and in the mind, I thought was class. Everything he did was. Those are the signs I’m looking for individually.” About the authorPaul VegasShare the loveHave your say
TagsTransfersAbout the authorPaul VegasShare the loveHave your say Ex-Man City coach Simon Davies under pressure at Anderlechtby Paul Vegas22 days agoSend to a friendShare the loveSimon Davies is under pressure at Anderlecht.The former Manchester City youth coach is Vincent Kompany’s No2 at the Belgian giants.But after a dismal start to the season, HLN says Anderlecht chiefs are seeking to add greater expertise to the bench.The move has the support of Kompany – with Davies the most likely to make way.Craig Bellamy is also under the spotlight, with the Welshman currently reserves coach.
Rufus Warren MSU CheerleaderMississippi State offensive lineman Rufus Warren is listed at 6-foot-7, 299 pounds on the school’s website. He has to handle large, athletic SEC defensive linemen on a regular basis, but when it came time to lift up an SEC cheerleader today, Warren wasn’t sure how to handle it.Here’s the video of Warren lifting up an MSU cheerleader. He does the job, but admittedly wasn’t too steady and seemed quite happy to be put her down as soon as possible.VIDEO: We are on our way to the coliseum, but first Rufus Warren tried out to be a cheerleader. #HailState pic.twitter.com/8dej0QMc7v— MSU Football (@HailStateFB) July 16, 2015Warren will probably take some good-natured ribbing for that, but he seemed pretty comfortable laughing at himself.